GUITARHABITS

The 5 Major Scale CAGED Shapes – Positions

March 18, 2022 by Klaus Crow

Photo by Bigstock photo
If you know how to play the major scale in one position and you’re ready to learn to play it all over the fretboard then this lesson is the next step.

If you haven’t played the major scale before you might wanna check out this post first: How to Play The Major Scale Guitar Guide for Beginners and Intermediate.

The major scale is the mother of all scales and your reference point for all other scales. That’s why it’s so important to master all of these five scale shapes.

The five C-A-G-E-D scale shapes (C shape, A shape, G shape, E shape and D shape) surround the entire fretboard. The “shapes” are sometimes also referred to as “positions”. In this post we use the G major scale as an example. So all five scale shapes (see below) are G major scale.

You can apply these scale shapes to all 12 keys by simply moving the shapes up or down the fretboard. For example: If you move the five shapes up a whole step (2 frets) then all the shapes are in the key of A, so you have five A major scale shapes.

The five scale shapes are derived from the CAGED system. If you’re not sure what the CAGED system is all about check out: What is The CAGED System? (The Keys to The Fretboard)

Each scale shape is related to a chord shape and surrounds that chord shape so you can easily identify the name of each scale shape. In each diagram below you can see the scale shape and the chord shape (made up of the red and green dots) that is surrounded by the scale shape.

PLAYING THE SCALE SHAPES / POSITIONS

If you look at the diagrams, play each scale shape starting from the lowest root note (the red note) then play all the way up (ascending) to the last note on the high E-string, then play all the way down (descending) to the first note on the low E-string and then play up again to the first root note you’ll hit upon. The tablature shows you how to play each scale shape ascending and descending.

Tips

– Practice the scale shapes with a pick using alternate picking technique (down, up, down, up, etc.)
– Practice slowly first and make sure each note sounds clean and clear.
– Try to visualize the chord shape in each scale shape.
– Make sure you can play each scale shape thoroughly before moving on to the next.
– Be patient and persistent, it takes some time to get them all under your belt.
– Repetition and regular practice is the key to success!

Have fun!

10 Awesome Guitar Players Apps for iPhone and iPad

By Klaus Crow 10 Comments

May 15, 2019 by Klaus Crow

Photo by Bigstock photo
I must confess, the reason I bought an iPad in the first place is because I wanted to have access to jam tracks in the quickest way possible when sitting on my couch playing guitar, but without having to walk over to a computer, a CD player or anything like that. That’s just too much of a hassle.

When the urge comes to play, I want to grab my guitar out of the stand and start playing. I rather not waste time looking for stuff like sheet music, a tuner, a metronome, jam tracks and so on, because I might get distracted in the process of trying to find these things, which would be such a shame.

The iPad is the answer to this rather ridiculous inconvenience. Guitar, iPad, Play.

But hey it works and my guitar playing has improved because of it. Everything I need is in there and it works fast. I love it when my jam tracks are just one click away from me and I can start improvising. I usually use jam tracks CD’s that I imported into iTunes. I tune my guitar with Guitar Toolkit and use sheet music that I uploaded to Dropbox, Tab Toolkit or Pocket.

Here’s a list of some pretty awesome apps that makes life easier and better for guitar players.

There are two apps (Bias and Hokusai) that I haven’t tried yet, but having read the reviews of users and professional guitar players they are really worth checking out.

Here we go:Continue Reading

6 Exquisite Ways to Eliminate Guitar Procrastination

By Klaus Crow 6 Comments

May 15, 2019 by Klaus Crow

Photo by Bigstock photo
We all procrastinate and so do I. Email and exercise are my weak spots and I find that improving certain guitar skills are very time consuming so I tend to procrastinate, but I have found some pretty exquisite ways to overcome that.

Yes, it’s good and healthy to procrastinate once in a while. Sometimes it’s just better to leave things alone and come back to it another time. It can do miracles.

But when putting it off becomes a habit and starts working against you, you might want to find a way to deal with it. After all you want to become a better guitar player right?

Well here are the keys to solve this procrastination issue for once and for all.

Let’s hack it!

1 – Stop thinking and start doing
If you think too much about the amount of work and effort that goes into a song, a solo, learning to play fast or mastering a particular style then that thought becomes bigger and bigger. You might worry about failure or other issues, but the more you think about it the more complex it becomes. The thought expands a little more until it becomes a beast and you don’t know how to deal with it anymore.Continue Reading

How to Improve Your Lead Guitar Phrasing

By Klaus Crow 12 Comments

May 16, 2019 by Klaus Crow

Photo by Bigstock photo
For guitar players who starting out learning to improvise, it can be quite a challenge.

Playing a bunch of notes within the pentatonic scale (or any scale in that matter) is one thing, but being able to really tell a story with those notes is a complete different thing.

Because that’s what phrasing is all about: “How you tell a story”.

If you’re telling a story you want to draw the audience’s attention. We’ve all come across those boring teachers in the classroom who can’t keep your attention for more than 30 seconds. They talk in the same low monotone voice on and on and on and on. It’s almost like they don’t even breath. They probably don’t. :)

The fact that they can’t keep your attention has nothing to do with the subject, but it has to do with how they present the subject, how they bring you the story. And they forget the most important thing. They have to bring the story to life!

To bring a story to life you want to hear and feel the passion. You can hear that in the way people speak. When people get excited about stuff they tend to raise their voice. If they want to tell you a secret or gossip they start to whisper. If something is really important we will emphasize particular words. When someone tells you a creepy story they’ll start to talk slower, fuel their voice by fire and when the story gets really exciting they’ll suddenly pause to get you to the edge of your seat and then relentlessly take you to the climax.

There are dozen ways to draw the listener’s ears and fortunately for a lot of people that goes without saying. Most people will talk passionately about their new bought car, their cool job or an attractive person of the opposite sex. The same applies to music. You want to hear the same excitement in your soloing. To do so you have to learn great phrasing.

Phrasing is not about what you play but how you play it!

Let’s see what you can do to improve your phrasing and make your playing come alive:
Continue Reading

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