GUITARHABITS

Free Quality Guitar Lessons

How to Hold a Guitar – Proper Posture and Hand Positioning

By 14 Comments


I first got briefly introduced with proper posture and good practice habits by Al Di Meola’s chords, scales and arpeggios book. For me he is just one of the coolest guitar dudes on the planet, so what he wrote in the book was a good place to start with.

Proper guitar posture is not something every guitar player is aware of or takes seriously.

That’s because improper posture and bad habits will not immediately result in injuries.

But over the long term guitar players can get back, shoulder, neck, elbow, arm and wrist pains, RSI (repetitive strain injuries), tendonitis, CTS (Carpal Tunnel Syndrome) and other nasty side effects.

This is certainly not every guitar player’s destiny, but it’s not out of the question either. But there’s good news! Proper posture can prevent a lot of these injuries and it makes guitar playing easier and more pleasant.

A good hand positioning is here also really important to learn to play effectively and properly. Every detail makes all the difference in the world.

Let’s take a closer look:

Continue Reading

5 Pentatonic Sweep Picking Patterns in the key of A

By 9 Comments

Photo by Bigstock photo
Sweep picking is a picking technique that was invented and developed by jazz guitarists Chuck Wayne and Tal Farlow.

Later the technique was further developed by fusion guitarist Frank Gambale.

The quality of sweep picking is that it produces a fast and fluid sound (once you get the hang of it). This is because you only need few strokes as apposed to alternate picking.

While it is generally used for arpeggios, it can also be applied to scales, 3 notes per string licks and… well just anything really.

In this topic we’ll be covering 5 pentatonic patterns in the key of A. If you already know how to play the 5 pentatonic shapes using alternate picking and you want to try sweep picking for a change to make it sound more fluid, give it a more Gambale feel to it or just to see where it will take you, this one’s for you.

You don’t have to choose one picking technique for your style of playing. A lot of guitar players combine both. They use alternate picking mainly and apply sweep picking occasionally for particular licks or arpeggios.

Sweeping
For the alternate picking approach you go “down, up, down, up, down, up” with the picking hand. In the scale patterns below you also use alternate picking except when changing strings you’ll be picking in the direction of where you’re heading. Use a downstroke if you’re changing to a higher (pitch) string and use an upstroke if you’re changing to a lower (pitch) string.

You can see the down and upstroke symbols in the scale patterns right between the standard and tablature notation. The downstroke symbol looks like a hurdle for track and field, the upstroke symbol looks like a “V”.

I have to admit the pentatonic patterns are quite a stretch. Major scales are much easier to play, but for the rock and blues players out there we don’t want to miss out on the pentatonic.

It takes a bit of practice to get used to the sweep picking feeling but hang in there. After a while it feels so natural and easy. It’s the path of least resistance.

Have fun!
Continue Reading

How to Easily Find Any Note On The Guitar with Octaves

By 5 Comments

Photo by Bigstock photo
Most intermediate guitar players can find the notes across the neck on the 6th (low E) and 5th string (A). This is essential for learning barre chords, soloing and a lot of other stuff. If you don’t know the notes on the 6th and 5th string yet check out Learn The Guitar Fingerboard Thoroughly in 16 Days

Once you’ve memorized the notes on the 6th and 5th string you can easily find any other note on the guitar. You can do this with octaves. An octave is in essence an interval whose higher note has a frequency of vibration twice that of its lower note.

If you think in notes, an octave is an interval with the distance of 12 half steps (12 frets) in the chromatic scale. For example, if you’re on the 1st fret, 6th string (F note) and go up 12 frets, which will take you to the 13th fret, you will also hit on an F note only one octave higher. You can apply this to every fret and every string.

If you think scale wise, an octave is the distance of 7 notes in the diatonic scale. So if you start on the first note of a scale and you go up 7 notes in the scale you arrive on the 8th note which is the octave.

Each of the diagrams below shows an octave, that means the notes share the same name except one note is higher or lower than the other. Now we can find the name any note or octave on the entire neck.

Let’s take a closer look

DIAGRAMS 1 – 8:
Continue Reading

Pentatonic Scale Shape Exercises Around The Fretboard

By 13 Comments

Photo by Bigstock photo
A lot of guitar players use only one pentatonic position / shape: The first position (E shape) it’s because it’s the most comfortable shape to play in.

That’s great if you start out with soloing, in fact it’s better to stay with that for a while to explore all the possibilities and to really be able to improvise with that one shape.

But after some time it’s good to get out that box and discover more of the world. Wouldn’t it be great to attain the freedom to use the entire fretboard for all your rock, blues, country and heavy metal soloing? It’s the next step to becoming a complete guitarist.

To expand your reach on the fretboard beyond the most popular pentatonic position #1 (E shape), you need to learn all five pentatonic positions, also known as shapes. If you haven’t learned the five pentatonic shapes yet check out: The Five Pentatonic Scale Shapes You Must Know

This post is to designed to give you some extra exercises (once you’ve learned the five shapes) to really get those shapes down.

Have fun!
Continue Reading