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How to Play and Build Maj7 Chords on Guitar

Today we’re going to learn how to play Maj7 chords and how to build them from scratch.

The Major 7th chord is a mesmerising chord which is commonly found in jazz music, but also in pop music and world music it is regularly used to express a beautiful hypnotizing or dream-like sound.

We’re going to look at open Major 7th chords (open strings involved), moveable Maj7 chords (containing no open strings) with the root note located on different strings, starting at the Low E (6th string), A-string (5th string) and the D-string (4th string), and Maj7 bar / barre chords.

First things first, let’s take a look how to build a major 7 chord.

CHORD CONSTRUCTION / ANALYSIS

Major chords consist of the root, 3rd and 5th notes of the major scale (1 3 5). The major 7th chord (Maj7) consists of the root (1), 3rd, 5th and 7th notes of the major scale (1 3 5 7). That means the 7th note of the major scale is added to the major chord.

For example, if you take the notes of the C major scale = C D E F G A B C
The Cmaj7 chord consists of the notes: C E G B (1 3 5 7)

If you take the D major scale = D E F# G A B C# D
The Dmaj7 chord consists of the notes: D F# A C# (1 3 5 7)

This way you can build or analyze any Maj7 chord:

Note: In the chord diagrams above: the black dots above the nut are open strings, and the letters in the dots indicate the note names.

Here are some popular songs that use the major 7 chord:
Old friends by Paul Simon starting with Fmaj7 and Cmaj7, capo on 4th fret.
Something by The Beatles: Amaj7 chord (second chord of the verse)
Maybe tomorrow by Stereophonics: Ebmaj7 chord (first chord of the song) Under the bridge by the Red hot chili peppers: Emaj7 chord (at the end of each verse).

Top 7 Best Acoustic Guitars Under 100 Dollars of 2020

By Klaus Crow 4 Comments

Today we review the best acoustic guitars under 100 dollars of 2020. You have to take into account that these are low-price guitars that can’t be compared to slightly more expensive models or high quality guitars, but nonetheless the quality, sound and price you get for these acoustic guitars is absolutely amazing.

If you’re a beginner guitar player you obviously want to start out with a low-budget acoustic guitar, or if you’re an intermediate guitar player you might need a “not so expensive” second guitar for backup or other purposes, or maybe you just like to bring a guitar on camping and traveling. For all these scenarios the steel-string acoustics in this list are absolute winners.

Note: As an Amazon Associate I earn from qualifying purchases.

Let’s take a look at the best acoustic guitars under 100 dollars:

1 – Squier by Fender SA-150 Acoustic Guitar

SOUND & QUALITY

The Squier SA-150 is a full-size steel-string dreadnought acoustic guitar designed by Fender, a major guitar brand that has the reputation of building dependable quality guitars. The top of the body is made from lindenwood and mahogany is used for the back and sides.

This robust, durable and good looking design can handle the use and abuse of the beginner guitar player or traveling musician. The Fender Squier SA-150 also has a slim neck that makes it easy and comfortable to play and the body produces a full and vibrant tone, that allows for both bright and warm sounds. A great affordable instrument for the beginner guitar player.

GUITAR CONSTRUCTION / SPECS:

Top: Lindenwood
Back and sides: Mahogany
Fretboard Material: dark-stained maple
Bracing: scalloped bracing
Neck: Mahogany
Bridge: Hardtail bridge
Tuners: Die-cast chrome tuners
Body finish: Natural finish
More info, Prices and Reviews for the Squier SA-150

How to Learn a Scale Inside Out to Improvise a Guitar Solo

By Klaus Crow Leave a Comment

As a guitar student you want to learn your scales inside out, not just to expand your music theory or to develop dexterity, but to learn to solo and improvise.

In order to solo and improvise you need to know the words of the language. You need to know how to use those words in a fluent manner with confidence and ease to express your musical emotions.

This is where the scale comes in. The scale contains the letters and the words to tell your story.

In this lesson I will give you the exercises to really dig into the scale and memorize it from top to bottom, backwards and forwards so you can start your journey to learn to solo and improvise.

We will use the G major scale as an example, but you can apply this to any scale.

There’s a lot of exercises and examples here so take your time with it. Start with one exercise and practice it until you can play it at a comfortable level, then move on to the next. Before you know it your fingers are running the show.

Let’s dive in!

Play in Position. First learn the scale playing it in position using the appropriate fingering. “Playing in position” means your left hand remains in a fixed location, with each finger assigned to a specific fret. See below in example 1. Now play the scale following example 2 and use the finger positioning of example 1.

Numbers on the dots: 1 = first finger assigned to the second fret, 2 = second finger assigned to the third fret, 3 = third finger assigned to the fourth fret, 4 = fourth finger assigned to the fifth fret. The red dots indicate the root note of the scale (in this case the G note).

Example 1:

Example 2:

Play with one finger. In this exercise you play the scale with only one finger (see example 3), so you become really conscious of where each note in the scale is located. Don’t underestimate this exercise. It is really important. Play it like example 2, but with the fingering of example 3.

Example 3:

Top 10 Guitar Practice Hacks

By Klaus Crow 6 Comments

Sure you know it, practice is key to becoming a better guitar player, but the tricky part is that practice is often associated in our brains with hard work, difficulty, and struggle. Understand that it’s just the programming of your mind talking. It doesn’t have to be like that. Practice can just as easily be associated with fun, flow and fruitfulness. So let’s take a look at these 10 Guitar hacks to make practice a delight and easy to tackle.

1. Fun and process

First, allow yourself a few minutes to think about what piece of music ( a song, solo, progression, chords or exercise) you would like to practice. Choose something that will really excite you. Write it down.

Now get into the childlike (creative) mindset that you are going to enjoy the process, and not think like an adult who is too often result and goal oriented. The latter might be the very obstacle that will keep you from starting in the first place.

Know that you don’t have to practice for anybody, anything, or any other reason than the incredible joy that guitar playing will bring. Just be in in it for the process!

2. Sacred space

Find a space where you won’t be bothered and disturbed. You need quietness and uninterrupted time to focus and enjoy the pleasant process of practice. Tell your family or friends at home not to disturb you in the next 45 minutes.

3. Prepare to follow through

Print out your favorite song, exercises, scales, solos and lay them out on the table or put them on your music stand. You might want to restring your guitar for a better feel and sound. Get everything ready like picks, tuner, metronome, capo or an amp and pedals. Don’t forget to put the kettle on for a hot cup of tea or make yourself a nice cappuccino to enhance your mood. If everything is all set and ready you make things easier to start practicing right away.

4. Lower the action

A quick word on the technical side. A lot of guitars have poor or high action which makes playing more difficult and challenging to make your notes sound good. Go to your local guitar shop and see if they can adjust the action of your guitar to improve the comfort and playability of the guitar. It makes all the difference and will inspire and motivate you to practice more.

5. Resistance

If you feel any resistance toward practicing, know that it’s just your mind playing tricks and trying to distract you. Your mind is designed to play the devil’s advocate, but that doesn’t mean it’s right. Your resistance doesn’t care if practicing is good for you, or that it will make you grow as a musician and make you deeply happy and fulfilled. Resistance doesn’t care less. It doesn’t give a crap about you. So don’t listen!

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